Even
though the act of writing is largely a solitary pursuit, more often than not,
telling people you’re a writer sparks conversations, of a more or less
interesting nature, with a wide variety of people. Writing as a profession hardly
leaves people cold – rather it makes them curious, passionate even, or downright
opinionated. It also happens from time to time, that people will approach you
for advice about their own writing.
A
few years back I met an elderly gentleman, and unsurprisingly as I was on a
travel writing assignment, the subject of writing came up. Finding out that I
had worked on several books and had had them published, the man proceeded to
tell me his story, or rather, his grievance. He had penned what he described as
“his life’s work” and it did appear to be several hundred pages in length, from
what he was describing in terms of research hours put in and time spent writing
it. For quite awhile now, he had been sending said manuscript to numerous
publishers, to no avail. He was beginning to take things very personally, to
the point of feeling offended and affronted by various publishers, including
those few who had actually, kindly, taken the time to give him valuable
feedback and pointers.
When
he’d got thus far, re-telling his story, I was at first also at a loss as to
why nobody would want to publish a story that had clearly been well-researched,
with ample time spent on the writing itself. That is, until it occurred to me
to ask my newfound writer acquaintance about the subject matter…
“So,
what’s this story actually about?”
“Well,
it’s about a young man, who is very well-adjusted in society, apart from the
fact that he cannot go to the toilet without having someone there to hold his
hand.”
“Erm,
ok, is that the whole story though? I mean, does your book manuscript deal with
anything else?”
“Well,
there’s also some science fiction, but otherwise that is the basic premise,
yes. Do you think I should try a different publisher?”
Now,
for all I know this could have been a “fascinating psychological study” of one
man’s struggle to go to the bathroom by himself, but honestly, who cares? Most
of the publishers contacted clearly did not and I can’t say I blame them. What
was blatantly obvious was that it wasn’t a new publisher this writer needed to
try, it was a new idea. We may think
we’re writing “the work of our lives”, but seriously, if that’s what we’re
doing, don’t we want someone else to enjoy
reading it as well? There is little point in assuming that we are the clever
ones, while publishers, literary agents and editors are just missing the point.
Of course there’s a risk of someone reading your manuscript in a hurry and
dismissing it too soon, or rejecting it despite not reading it at all – I’d
wager all of today’s best-selling authors have had many rejection letters in
their time – but let’s not jump to the conclusion that the people whose job it
is to recognise good writing don’t know what they’re doing. They do. If they
take the time to actually read your stuff and give you feedback, appreciate it.
You may not agree with all the pointers or critique, but that’s ok. Once you
know your own strengths as a writer, you can choose what you’re happy with and
what you’re willing to change. Even if nobody likes your idea, it could still
be a good idea. Just bear in mind that also it might not. In the end maybe what
you thought was your “life’s work” was in fact written just for you, not for a
wider audience, in which case, take a deep breath (or a few thousand) and write
something new, something that other people can relate more to, learn from and
enjoy. There are more chances, there are more opportunities.
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